(born 1964 in Norwood, USA) — Los Angeles-based artist, creates photographs and films born from the processes of in-depth research and long-term collaboration with various communities. These include: Goshogaoka (1997) created in Japan, Teatro Amazonas (2000) in Brazil, Pine Flat  (2006) and Lunch Break (2008) in the USA, as well as Podwórka (Courtyards) (2009) and Rudzienko (2016) in Poland. Lockhart’s works have been presented in numerous institutions worldwide, including the Museum of Modern Art (MoMA) in New York, Sala Rekalde in Bilbao, Los Angeles County Museum of Art (LACMA), the Israel Museum in Jerusalem, Solomon R. Guggenheim Museum in New York, Secession in Vienna, Centre for Contemporary Art Ujazdowski Castle in Warsaw, Kunstmuseum Luzern in Lucerne, Bonniers Konsthall in Stockholm, as well as during the Four Cultures Festival in Łódź, Sundance Film Festival, the Berlin International Film Festival, the Whitney Biennale in New York, the Shanghai and Liverpool Biennials. Lockhart’s work is also included in many prominent international collections, such as those of the Tate Modern in London and the Metropolitan Museum of Art in New York. The artist has participated in numerous fellowships and residencies, including those from the DAAD programme, the Radcliffe Institute/Harvard University, the John Simon Guggenheim Memorial Foundation, and the Polin Museum in Warsaw. Lockhart was a professor at the University of Southern California Roski School of Art and Design, and currently holds a faculty position at the California Institute for the Arts.

(born 1976 in Warsaw) — curator and art historian. She specialises in avant-garde art, its reception and reinterpretation, and contemporary art. In 2007 she organised Lockhart’s first presentation in Poland at the Bytom Culture Centre during the residence Live, Survive, and Create! hosted by the Kronika Gallery in Bytom. She was a recipient of the Kościuszko Foundation scholarship at the Museum of Modern Art (MoMA) in New York (2001), and is a member of the International Association of Art Critics AICA. In last decade, she has curated and co-curated a number of projects and exhibitions, including a retrospective of Jadwiga Maziarska The Atlas of the Imaginary (CCA Ujazdowski Castle, Warsaw), Polish New Wave: The History of a Phenomenon that Never Existed (Tate Modern, London,  Anthology Film Archives, New York and MAMC, Strasburg), Film Matters (Beton7, Athens), Die (COCO Kunstverein, Vienna), Footnote 6: As Model (Miguel Abreu Gallery, New York), The Third Room (Kunsthalle Düsseldorf and the Museum of Modern Art in Warsaw), Erna Rosenstein: I Can Repeat Only Unconsciously (Foksal Gallery Foundation and the Institute of Avant-garde, Warsaw), Erna Rosenstein: Organism (Art Stations by Grażyna Kulczyk, Poznań) among others. As of 2016, she has worked as curator at the Studio Gallery (Galeria Studio) in Warsaw.