Lado Lomitashvili’s project, prepared for the Zachęta Project Room, refers in a metaphorical way to the memory of events and stories recorded in water and objects. Items taken out of their usual context, marked by practical use, and transferred into the gallery space, spin their stories. Lomitashvili’s artistic practice is inherently multidisciplinary. His education in the field of architecture makes him particularly sensitive to the nuances of the spaces in which he builds his abstract architectural/sculptural/painting installations with philosophical, social and ecological resonance.