Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

Memory is a multi–part, ephemeral puzzle that stores and organizes our memories and thoughts. Each piece creates our personal story by determining who we were, who we are and who we will become. What happens to a person when a piece of the puzzle is removed? Who do we become when we lose ourselves, when our knowledge about ourselves disappears forever? Who are we in a world that we no longer recognize and that no longer recognizes us.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

In 2018 the CENTRALA reconstructed a ‘water bowl’ in front of the Zachęta building — a basin with water plants. The concrete planters that once appeared in the Warsaw space were used for water holes — they created a network of ponds to irrigate and aerate the city. This flower bed concept was designed together with staff from the University of Warsaw Botanic Gardens, and then replicated elsewhere in Warsaw and in Gdańsk and Kielce, making a large-scale comeback for urban water gardening.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

Prinz Gholam is the collaborative name of two artists, Wolfgang Prinz and Michel Gholam, who have been working together since 2001. Hailing from different cultural backgrounds — German (Prinz) and Lebanese (Gholam) — their art transcends national contexts. They draw inspiration from diverse cultures and eras, incorporating these elements freely into their work. Their creative practice encompasses performance pieces and choreographies staged in the presence of viewers or for the photographic or film camera, as well as large-scale drawings, stone sculptural objects, and distinctive masks, the latter influenced by the 2020 pandemic.